Twice Born: Toronto Review

Emile Hirsch and Penelope Cruz

The Bottom Line

Penelope Cruz and Emile Hirsch play ill-matched in every sense lovers in Sergio Castellittos misguided romantic melodrama.

Venue

Toronto Film Festival (Gala)

Cast

Penelope Cruz, Emile Hirsch, Adnan Haskovic, Saadet Aksoy, Pietro Castellitto, Sergio Castellitto

Director

Sergio Castellitto

Screenwriters

Sergio Castellitto, Margaret Mazzantini

TORONTO Italian actor-turned-director Sergio Castellittos 2004 feature, Dont Move, logged some travel largely on the strength of Penelope Cruzs intense performance. But its in the best interests of everyone concerned that their second collaboration, Twice Born (Venuto al Mondo) which misuses Emile Hirsch as the other half of an ill-fated love story be denied a visa. Dripping with floridly phony dialogue that no actor should be forced to speak, this paternity mystery uses the Bosnian conflict as the manipulative backdrop to a preposterously overwrought and overlong melodrama.

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Adapted by Castellitto and his wife Margaret Mazzantini from her novel, the material may have had more credibility on the page. Onscreen, however, in a big, lustrous, predominantly English-language production that appears to have benefited from an ample budget, the story reeks of cheap sentiment masquerading as social and political engagement.

The weirdest love stories are always the best, says Hirschs globetrotting photographer Diego in one of the films extended flashbacks. He! also sa ys things like, The worlds going to hell, baby. And were going down with it. That hell would be the Yugoslav Wars and, in particular, the 1992 siege of Sarajevo, several years after Diego first met Italian student Gemma (Cruz) there.

The present-day frame has middle-aged Gemma returning with her 16-year-old son Pietro (Pietro Castellitto) to Sarajevo at the invitation of her old friend Gojko (Adnan Haskovic), once the heart of a vibrant group of artists, poets and philosophers. While sullen Pietro resists the impulse to delve into his origins, insisting he was born in Sarajevo by mistake, Gemmas return to the scene of her greatest love stokes potent memories and conflicted emotions.

Both she and Diego desperately wanted a child but were unable to conceive, prompting them to make difficult choices that caused the relationships painful unraveling. Bella donna, we are a luckless generation, says Gojko. But hes not telling her the half of it, at least not until the final acts tragic revelations.

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Deglammed in a graying frump wig for much of the film, Cruz provides a more dignified center than Twice Born deserves. Shes sorrowful but composed, clearly aware that the deep bruises of experience will never heal.

But Gemmas relationship with Diego, which should be the storys engine, never musters an ounce of emotional truth. Thats in large part because Hirsch is stuck playing a romantic schoolgirl notion of the reckless rebel with a cause, shouting his impassioned convictions from the rooftops. The drippy earnestness of this character is fatal to the films dramatic integrity.

Gojko runs a close second. Saluting a fallen comrade, he intones, He loved U2, Levis 501s and Kafka. Its this kind of cheese that nudges the film toward involuntary parody and! ultimat ely trivializes the horrors of the Bosnian War, which are intended to bolster the story's gravitas. Thats a shame considering the meticulous craft that cinematographer Gianfilippo Corticelli, production designer Francesco Frigeri and the visual effects team have put into recreating Sarajevo at the height of the conflict.

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Saadet Aksoybrings a subdued fieriness to her scenes as a Bosnian woman whose fate becomes intertwined with Diego and Gemmas. But too many faux-poetic exchanges and psychologically bogus character choices get in the way of the films emotional impact. A notable example is a bizarre scene with Jane Birkin as an English-speaking Rome adoption agent who weeps while having to tell former heroin addict Diego and his older wife that their application has been denied.

While the adoption agent presumably is a cultural transplant in Italy, its never explained how seemingly everyone in the former Yugoslavia from fertility doctors to peasant farmers speaks more-than-passable English. However, thats the least of this solemn but silly misfires issues.

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Venue: Toronto Film Festival (Gala)

Production companies: Alien Produzioni, Picomedia, Medusa Film, Telecinco Cinema, Mod Producciones

Cast: Penelope Cruz, Emile Hirsch, Adnan Haskovic, Saadet Aksoy, Pietro Castellitto, Luca De Filippo, Jane Birkin, Sergio Castellitto, Mira Furlan, Jovan Diviak

Director: Sergio Castellitto

Screenwriters: Margaret Mazzantini, Sergio Castellitto, based on the novel by Mazzantini

Producers: Sergio Castel! litto, R oberto Sessa

Director of photography: Gianfilippo Corticelli

Production designer: Francesco Frigeri

Music: Eduardo Cruz

Costume designer: Sonu Mishra

Editor: Patrizio Marone

Visual effects supervisor: Stefano Marinoni

Sales: Wild Bunch/CAA

No rating, 129minutes